The hardest thing about being an independent author is easily the marketing. I love the actual writing, and as I've said in the past I really love working with artists. While I enjoy talking about my book, particularly with fans, I don't like doing so in a way that doesn't feel organic. This is probably why I cannot make twitter work.
So, I'm trying to be creative when it comes to finding ways to share my story with potential readers. Since we are still pretty much in quarantine, I've been unable to go around to libraries and books stores, and conventions are not really an option. However, I recently had a really cool opportunity. I was asked by a teacher to help with a virtual creative writing class for 5th-8th graders. It was a great experience and allowed me to talk about my book and some general thoughts on story crafting.
I thought I'd share the video
Now before anyone rips on me, I am very aware I'm awkward on camera. And sometimes off camera...But besides allowing me to speak about my book, I really thought this was a great opportunity to share what humble insight I have into the writing process. Particularly as it relates to my last point in the video.
I always had this idea that writers were just born with almost magically infinite supplies of creativity, and being an author essentially meant tapping into this inspiring force of imagination and writing what comes out in an almost prophetic way. Now to be clear some people are just born with great imaginations, but the reality is creativity is a skill that can be learned. In the video, I compare it to a muscle that can be strengthened with regular use.
Furthermore, creativity alone won't get you that far. Being able to come up with a great idea is wonderful, but crafting that idea into story, much less a book requires a hard work and discipline. I say all of this to drive home the fact that if you want to be a writer you can be. It's a matter of consistent effort more than anything else. I find that truly encouraging. I hope you do too.
"The Wild Card Bandits" Created and owned by Teo Skaffa.
It was a collaborative experience, and Teo was incredibly intuitive. I found the process to be similar to my own writing, where you start by essentially building the skeleton of a story and gradually put meat on the bones. I can't tell you how exciting it was to see the artwork begin to take shape, but to give you a sense of where we came from I thought it would be fun to share some of the different stages which you can see below.
It was wonderful seeing this world I spent so much time developing come to life visually. Teo's use of atmosphere and textures helped really nail the ethereal warmth and folksy charm I wanted to permeate The Thin House. I was very fortunate to work with someone so talented, but also so accommodating and hardworking on my first book. There was a lot of formatting and re-formatting that was necessary to submit the story for publication and Teo always brought solutions. I truly can't imagine delivering a product of this quality without him.
I'm currently working on the second and third book in the Jackalope Stories Saga. Ever since Teo created The Thin House cover, I've been eagerly anticipating what he comes up with for future corners of the world in which I spend an increasingly large amount of time. Even when he isn't working on projects with me, Teo is always creating something worth viewing. I highly recommend you check out more of his work on his website.
Visual art plays a big part in my writing either directly or as inspiration, and I hope to share more of these spotlight articles in the future. Until next time!
A note for family and friends wanting to be helpful. Amazon will not post reviews from people that are clearly related to me. So if your last name is Nickens, I recommend posting on Goodreads. I also recommend avoiding statements like "I know Jake from..." That said, I feel confident in my writing, and I welcome all feedback. Please be honest and help paint an accurate picture for those considering The Thin House.
For anyone wanting to skip the fuss and purchase a shirt today, they are available now on the Merchandise page. They come in five different colors and feature our logo, designed by Teo Skaffa. This will be the first of a couple Jackalope Stories related T-Shirts so check back periodically to see the new merchandise.
I have been overwhelmed by the support The Thin House has received on it's release week. It's beyond exciting to finally share this book with others. When you've had a story pounding around your brain for years, it's a special kind of catharsis to share that world with others. Unfortunately, in the case of many of you who ordered print versions of the book, it will probably be a couple of days before you can actually start down the rabbit hole. To make things better while you wait, I thought I'd write this special post that comes with something very valuable: The greatest biscuit recipe of all time.
As I've said before I grew up immersed in Southern culture. This means that I also grew up around amazing food. Cooking and sharing meals together has always been a big part of my family's world, and I've been blessed to witness the works of some true masters of the craft. I would put my parents, and extended family's food up against anyone, any day. When it comes to dishes like Jambalaya, Gumbo, and Red Beans and Rice, I am spoiled forever. I wanted to capture this in my first book. I wanted a character who was not only an artist with food, but who also used cooking to communicate love.
That is where the character of Eleanor Blacklock started. Many of you who have begun the story are becoming acquainted with Eleanor, and I hope you can feel her warmth. In the Thin House one of staples at Eleanor's table is her homemade biscuits. These become a favorite dish for some very important characters. I want you to experience them. So for those of you brave enough to try, I give you Eleanor's Biscuit Recipe:
Freeze butter until solid. Using a cheese grater, shred the butter into the 2 ½ cups of self-rising flour, and gently mix. Chill flour and butter for 10 minutes. Once chilled make a hole in the center of the bowl of flour and butter and pour in the cup of buttermilk. Taking care not to over mix, stir the ingredients 15 times or until evenly mixed. Spread some flour on the counter or a non-stick surface and turn out the mixture. Using a rolling pin roll the dough until about 1 ½ inch thick then fold it over on itself. Repeat this process four times this will make your layers. On the fifth time once the dough is folded use a drinking glass with flour dabbed around the top to cut out your biscuits, but make sure to press the glass down straight as opposed to twisting. Repeat the roll and fold method as needed until as many biscuits as possible have been cut from the dough. Place biscuits on a baking sheet that has been lined with parchment paper. Place biscuits in rows so that they are as close as possible.
Bake at 450 for 10-12 minutes or until golden brown. While biscuits are still warm on the baking sheet, lightly brush butter across the tops. Allow to cool for five minutes before removing from the baking sheet. Best served with Honey.
Hello everyone! I'm proud to announce that The Thin House is now available in both digital and print. Furthermore in it's first week The Thin House has been ranked in the Top 100 Children's Scary Stories on Amazon. I really appreciate the support so far, and I look forward to hearing what some of you think once you've had a chance to read the story. I'll be sure to share the reviews on the book's page where you can also purchase a copy if haven't already. Thanks again and I hope to have some more updates soon.
I hope everyone is keeping safe and doing the best they can during this difficult time. Things have been hectic the past few days as I've been working to prepare for the Thin House's release date which as I write this is only nine days from now. In light of the upcoming release, I wanted to do a special update post to discuss a very important part of the book. Specifically, the Dedication Page.
On third interior page of my first book there is a picture accompanied by the following phrase:
This book is dedicated to grandparents-and to the stories they tell their grandchildren.
On the About Page, I talk about my family and the storytelling environment that I grew up in. My family communicates a lot through the stories we tell each other. I want my books to communicate some of those same feelings. I want my books to make the reader, regardless of their age, feel a little bit better for having wandered among my imagination.
That's how I felt when I listened to my parents, grandparents, and great grandparents tell stories. My protagonist, Finn Anglin, experiences this through his grandparents. It only seemed fitting to dedicate the books to those grandparents who, like my own, created worlds for their grandchildren to explore, who made life seem a little more magical.
There is a lot of creativity in my family, and I'm fortunate enough to have a grandmother who is a very talented artist. She was kind enough to create an original piece of art for The Thin House. You can view it below
I hope you feel it when you read the book. Particularly with all the uncertainty and fear that many of us are living with during this difficult time, I hope this story makes things a little better. Check back soon for more updates on the release. Talk soon.
Short but important post today. I am excited to announce that we officially have a release date! The Thin House will be available for purchase on April 27th in both print and digital formats. I'll provide purchase information wen the time comes, but for now I want to provide a sneak peek at my cover artwork below. The art was provided by Teo Skaffa. You can see more of Teo's work at www.teoskaffa.com. Talk soon!
I got married about two years after I finished my missionary service. I've never liked when people go to social media, or public platforms to talk about how much they love and adore their significant other. I think that's more of an Acta Non Verba area to be honest. I will say I'm very fortunate and leave it at that. Lydia and I don't have any kids yet, but we are definitely animal people, and we like our Akita, Ceri better than we like most people. Never thought I'd be one of those people, but here we are.
When I'm not working on The Thin House and it's spin-offs, I enjoy gardening, cooking, boxing, reading comics, spending time with family, and watching far too much television. Right now i'm really into Fargo (the anthology series on FX), Barry, and The Haunting of Hill House. However, I also constantly revisit The Twilight Zone, Cowboy Bebop, and Justified. With books, lately I'm reading a lot of Fredrik Backman, Dan Simmons, and I'm halfway through the Mr. Mercedes books by Stephen King.
So that's a little about me. Know that I do my best to respond to inquiries, comments, etc. In terms of some house-keeping, I'm happy to share that some of the last technical pieces are coming together for the book, and I hope to have some firm dates on the release, as well as a tease of the cover art in the next couple weeks. Until then.
I believe I've been pretty transparent about the nature of The Thin House, but it never hurts to clarify, especially as we get closer to the release date. So with that in mind I wanted to address the genre of my upcoming book. Based on the summary, and what's been teased so far one could rightly infer that the Thin House contains monsters. However, the presence of monsters and the supernatural is not necessarily indicative of the book being a horror novel.
Don't get me wrong there are parts of the book that are going to get scary. If I've done my job well, you should certainly shudder at least once or twice. That being said calling the Thin House a horror novel to me is kind of like calling the Twilight Zone a horror show. Obviously anyone who's seen "It's a Good Life" knows terror certainly has it's place there. However, to me the Twilight Zone has always been about people coming into contact with "The Other" in some way or another and how the experience changes them. I respectfully challenge anyone to watch "One For the Angels" or "Nothing in the Dark" and tell me the show's purpose is to frighten. The same is hopefully true with my book.
To provide an example I wanted to share a little bit about one of the first inhabitants our hero Finn meets in his grandparents strange boarding house. Be warned the faintest, smallest of pseudo spoilers follow *****************************************************************************************************
It's a fun challenge to write an interesting vampire character in a world saturated with vampire-centric books, movies, shows, etc. Mr. Gareth is my attempt. He was born out of the question "As a vampire what would you do faced with essentially an eternity of free time?" For me I've always devoured books, and anytime I go to a library or bookstore I always leave thinking there is so much more I want to be reading. So as I started fleshing out the characters, I came up with the idea of a vampire who does just that-reads absolutely everything.
Instead of dwelling among cemeteries, blood banks, Gothic castles, or high schools my vampire would be an inhabitant of the world's greatest libraries, and instead of consuming blood (OK maybe he consumes a little blood) he feasts on everything from Herodotus and Dante to Batman comics. He came to play the role of an educator and guardian to Finn. To me the character eventually came to represent the best aspects of teachers and well-educated mentors from my childhood.
Despite the whole creature of the night thing, Mr. Gareth gradually developed into a very gentle teacher, who ended up having a lot more in common with Mr. Rogers than Dracula. There's something very warming to me about a creature blessed (or cursed depending on your POV) with an unnaturally long life using that time to gain wisdom and in turn do whatever they can to share that wisdom with others. Originally, he wasn't supposed to have a particularly large role, but he grew on me in a big way.
I hope he does the same for you. I hope he's one of your favorite guests in The Thin House. And I really hope I can get Stephen Root to play him if this ever becomes a tv show. Until next time...
I'm going to let you in on a secret...I am not an experienced or well known author. My educational background is in finance and accounting, and my current day job is in local government. I've always loved story telling, and I've dabbled in writing short stories since I was kid, but The Thin House is my first book. Any idea I have of what i'm doing, largely comes from the advice of more experienced friends and internet research. My inexperience felt the most daunting when I first opened a blank Word document and asked myself, "Where do I start?"
I'm sure there are more academic ways to do it, but getting started for me meant figuring out my characters. I had a vague idea for the plot, but before I even really started to polish that into an honest-to-God story I knew I needed to figure out who it was going to be about. I've always liked character driven media so that's what i tried to get a handle on first. I thought for today's post it'd be fun to introduce three of them.
The main protagonist of The Thin House is an eleven-year-old boy named Finn Anglin. Finn was raised by his mother, who has kept a lot of her family's history from him until the sudden announcement that he will be spending the summer at his grandparent's boarding house. Finn is quiet, thoughtful, and curious, and is a good stand in for the reader as he is continually introduced to bizarre characters and situations. Finn's defining characteristic is a desire to understand those around him, and I based him on myself as a little kid interacting with my extended family, particularly grandparents, great aunts, and uncles.
Two other major characters in the book, are Finn's grandparents themselves. Their names are Eleanor and Ezekiel Blacklock. Little is known about them at the start of the book, but it quickly becomes apparent that both are larger than life. Eleanor is a yoga master, who shows her love for her guests by cooking elaborate and personal meals that seem to have an almost supernatural healing quality. Ezekiel is a quiet but imposing marksman, who seems to have the rare ability to see things exactly as they are, which can be difficult considering their usual clientele. Both are fiercely loyal and devoted to the grandson they have been waiting years to meet.
The Blacklock's are based on some of the best qualities of the men and women who I wanted to be like as a kid. Some of their interactions with Finn are pulled closely from stories from my childhood. Their relationship with each other; however, is pulled from my own marriage. Of all the characters in The Thin House and those planned for future books, I am the most excited to share the Blacklocks. They have stuck with me in a really fun way long since the book has been completed.
I hope this peaks your interest. I'm excited to introduce the characters that have been bumping around my head for the past few years. I hope to have some more announcements soon, including some new artwork from the book. Until then...